Tag Archives: music

The Role of Music Therapy in Stroke Rehabilitation

music_helps_recovery

By: S.C. Ali

Founder/Author

Music is a universal form of art. Regardless of who you are or where you come from, it has the power to unite people. Music can affect people in various ways: mentally, socially, emotionally, physically, aesthetically, and even spiritually. Music therapy is an allied health profession that is designed to harness these musical effects to accomplish goals, which typically involve the well-being of the patient. It entails a multidisciplinary approach, for it spans psychology, biomusicology, music theory, acoustics, and others.

Have you ever felt certain emotions when listening to a particular song? Do you ever experience certain emotions in your daily life and think, “Such and such song explains my feelings perfectly.” This is no surprise, as there are many studies that indicate a correlation between music and the effect that it has on the brain. It includes a combination of the parts of our brain involved in hearing and auditory perception, and this discipline is part of a music therapist’s training. Because of the major leaps in neuroscience over the past 20 years, a new subfield of music therapy has developed. It is known as NMT, or neurologic music therapy. NMT was founded by the Center for Biomedical Research in Music (CBRM) at Colorado State University in the mid-1990s. According to the CBRM, it applies the goals of music therapy to patients who have suffered from neurological diseases such as: stroke, Parkinson’s disease, cerebral palsy, and traumatic brain injury.

A stroke, more formally known as a cerebrovascular accident (CVA), is defined as, “a blockage or hemorrhage of a blood vessel leading to the brain, causing inadequate oxygen supply.” There are two types of strokes: ischemic and hemorrhagic. In an ischemic stroke, a blood vessel in the brain is blocked, leading to impairment in the function of the surrounding brain tissue. A hemorrhagic stroke is when there is internal bleeding in the brain, which often results in a pool of blood. The treatments vary depending on the severity of the stroke. According to the CDC, strokes are the fifth leading cause of death in the United States. According to the American Heart Association, “one American dies from a stroke every 4 minutes.” Despite these alarming statistics, approximately 83.75% of Americans survive a stroke. However, the affliction oftentimes leaves patients motor or speech impaired.

Neurologic music therapy has been showing great promise for stroke rehabilitation patients. The type of debilitation that occurs in stroke patients depend on what part of the brain is affected. If certain parts (like Broca’s area and Wernicke’s area) are associated with language, then naturally the patient will present with a speech impediment if these areas are affected. The technical term for this is aphasia, and it has two forms. The first form is known as Broca’s/motor/expressive aphasia, which is when someone is able to comprehend but cannot produce language (speaking or writing). The second form is Wernicke’s/sensory/receptive aphasia, which is the opposite. In this case, someone is able to speak fluently, but has trouble understanding words, phrases, and sentences. Patients who have Broca’s aphasia interestingly respond well to melodic intonation therapy. In this technique, the music therapist will sing a song, and the patient is able to follow along. Eventually, the patient reaches the point where although they still can’t speak, they can actually sing along with the song. After this primary step, the music therapist aims to remove intonation in music so that the patient is able to speak once again. There have been various studies since the mid-1990s. The most recent study was from Stahl et al. in 2013 from MIT. They found that fifteen Broca’s aphasia patients responded well to the rhythms and language in music. Because each of the studies (which can be found here, here, and here) only look at small sample sizes, more experiments need to be conducted. Also, this technique hasn’t been proven for Wernicke’s aphasia, and thus either a similar study or a different music therapy technique needs to be conducted. However, these studies show encouraging results.

The other common impairment in stroke patients is motor difficulties. In this case, patients need to be retaught how to perform basic motor duties that typically involve the arms and legs. In 2014, Thaut et al. published in a scholarly journal an overview of the NMT techniques used in stroke rehabilitation. According to the article, early studies by Paltsev et al. and Rossignol et al., “show evidence for the complex physiological interactions between the auditory and the motor system.” In terms of applying this to music therapy, the paper notes that studies show that rhythmic cues from music can help patients with gait and stepping. It is important to note that this relationship helps to improve the auditory/motor relationship, but not necessarily be a substitute for other current motor rehabilitation methods. A second technique used to improve motor skills is known as Therapeutic Instrumental Playing (TIMP). This process involves the music therapist teaching the patient how to play particular musical instruments (primarily percussion and keyboard). According to Thaut et al., the studies have shown improvement in joint strength, arm function, and range of motion.

In conclusion, technology and advances in neuroscience have changed the way we look at music therapy. Historically, the benefits of music therapy were viewed from a social science perspective. However, the rise of neurologic music therapy has allowed us to look at music therapy from a more scientific perspective. This viewpoint inculcates an evidence-based approach and rigorous scientific experimentation. Although more studies need to be conducted, technology continues to evolve in the neurosciences. This will enable us to keep moving forward in this very dynamic field. Most importantly, because strokes affect so many people worldwide, rehabilitation involving music therapy has a wide variety of application. Even the patient’s loved ones can be soothed by the powerful effect of music, which may make the coping process easier.

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From Golden Country: REO Speedwagon

By: Andrew Blitman

Contributing Writer

For as long as I can remember, there has been a link between cars and rock ‘n’ roll. Bruce Springsteen drove his “Pink Cadillac” to the “Cadillac Ranch”. Ireland had Thin Lizzy, the nickname for Ford’s Model T. Detroit gave birth to Motown Records. Champaign, Illinois, saw the genesis of REO Speedwagon, one of my favorite rock bands.

Founded in 1967 by University of Illinois students Neal Doughty and Alan Gratzer, REO Speedwagon is best known for its unique heartland blend of hard rock and country. The band, named after a turn-of-the-century brand of flatbed truck, swiftly gained a regional following. During the 1970s, REO saw its first platinum album (You Can Tune a Piano, but You Can’t Tuna Fish) sell more than 2 million copies. Thanks to hits like “Roll with the Changes” and “Time for Me to Fly”, the band became a household name in the Midwest by 1978. However, REO Speedwagon went truly mainstream after the successful debut Hi Infidelity (1980), which released famous ballads like “Keep on Loving You” (#1) and “Take It on the Run” (#5). Doughty, Gratzer, and new members like Kevin Cronin, Bruce Hall, and Gary Richrath remained popular for the rest of the decade.

By the end of the decade, their popularity had faded. The band broke up due to disagreements about the future of its music. Financial troubles plagued Epic Records, the band’s label. All seemed lost. REO Speedwagon fell into obscurity. The future looked bleak. Thankfully, Epic Records revived the band’s old material as the 1990s progressed. Numerous compilation albums were released, highlighting REO’s former glory. Songs like “Golden Country”, “Only the Strong Survive”, and “Ridin’ the Storm Out” returned to the airwaves as classic rock resurged in popularity. Due to the success of those compilation albums, the band reunited and released a new album in 2007. By 2009, REO was back on the touring scene. REO Speedwagon still performs today, this time for a younger generation of rock and roll enthusiasts…like me.

Since I discovered the band’s music two years ago, I have searched its discography for hits. Much to my surprise, the lyrics to those songs were more meaningful than the music behind them. At the top of my playlist are songs about persistence, like “Roll with the Changes” and “Ridin’ the Storm Out”. “Golden Country”, though not a single, is particularly significant for its wisdom, that great power requires great responsibility. “Only the Strong Survive” is another favorite for the reassurance its lyrics offer to those who are suffering. I also enjoy the love ballads that made REO famous, “Keep on Loving You” and “Can’t Fight This Feeling”, for their emotional and lyrical complexity.

No REO Speedwagon playlist is complete without the masterpiece that internationally legitimized the band—“Take It on the Run”. Never overplayed, the song earned its airtime. Whenever it is played, it evokes the doubt, the jealousy, and the suspicion associated with unfaithful partners, the spirit of Hi Infidelity. However, you won’t feel cheated after listening to REO Speedwagon.

In fact, I highly recommend exploring REO Speedwagon’s amazing collection. You won’t be disappointed by this chapter of Rock and Roll’s living history! For more, check the links below:

“Golden Country”

http://www.youtube.com/watch?v=w3VqY9dp8SE

“Take It on the Run”

http://www.youtube.com/watch?v=6l9ZbnzUUKg

“Only the Strong Survive”

http://www.youtube.com/watch?v=3Rpal8py4NU